{"id":6214,"date":"2025-05-14T18:29:22","date_gmt":"2025-05-14T16:29:22","guid":{"rendered":"https:\/\/opmc.mc\/stephane-deneve-direction\/"},"modified":"2025-05-14T18:29:22","modified_gmt":"2025-05-14T16:29:22","slug":"stephane-deneve-conductor","status":"publish","type":"page","link":"https:\/\/opmc.mc\/en\/stephane-deneve-conductor\/","title":{"rendered":"Stephane Deneve, conductor"},"content":{"rendered":"

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St\u00e9phane Den\u00e8ve is Music Director of the Brussels Philharmonic, Principal Guest Conductor of The Philadelphia Orchestra and Director of the Centre for Future Orchestral Repertoire (CffOR). From 2011-2016, he served as Chief Conductor of Stuttgart Radio Symphony Orchestra (SWR) and from 2005-2012 as Music Director of the Royal Scottish National Orchestra.<\/p>\n

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Recognised internationally for the exceptional quality of his\u00a0performances and programming, he regularly appears at\u00a0major concert venues with the world\u2019s greatest orchestras\u00a0and soloists.\u00a0He has a special affinity for the music of his\u00a0native France, and is a passionate advocate for new music.<\/p>\n

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Recent engagements include appearances with the Royal Concertgebouw Orchestra, Orchestra Sinfonica dell\u2019Accademia Nazionale di Santa Cecilia, Vienna Symphony, Munich Philharmonic, Orchestre National de France, London Symphony Orchestra, Philharmonia Orchestra, Bavarian Radio Symphony, Czech Philharmonic, Chicago Symphony, and NHK Symphony. In North America he made his Carnegie Hall debut in 2012 with the Boston Symphony Orchestra, with whom he has been a frequent guest both in Boston and at Tanglewood, and he appears regularly with The Cleveland Orchestra, Los Angeles Philharmonic, San Francisco Symphony, and Toronto Symphony.\u00a0He made his New York Philharmonic debut in 2015.<\/p>\n

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He enjoys close relationships with many of the world\u2019s leading solo artists, including Jean-Yves Thibaudet, James Ehnes, Leif Ove Andsnes, Yo-Yo Ma, Leonidas Kavakos, Frank Peter Zimmermann, Nikolaj Znaider, Gil Shaham, Piotr Anderszewski, Emanuel Ax, Lars Vogt, Nikolai Lugansky, Paul Lewis, Joshua Bell, Hilary Hahn, Vadim Repin, and Nathalie Dessay.<\/p>\n

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In the field of opera, St\u00e9phane Den\u00e8ve has led productions at the Royal Opera House, Glyndebourne Festival, La Scala, Saito Kinen Festival, Gran Teatro de Liceu, Netherlands Opera, La Monnaie, Deutsche Oper Am Rhein, and at the Op\u00e9ra National de Paris. In the 16\/17 season, he makes his debut at Deutsche Oper Berlin with Berlioz\u2019s\u00a0Rom\u00e9o et Juliette<\/em>.<\/p>\n

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As a recording artist, he has won critical acclaim for his recordings of the works of Poulenc, Debussy, Ravel, Roussel, Franck and Connesson.\u00a0 He is a double winner of the Diapason d\u2019Or de l\u2019ann\u00e9e, has been shortlisted for Gramophone\u2019s Artist of the Year Award, and has won the prize for symphonic music at the International Classical Music Awards. His most recent release is a disc of the works of Guillaume Connesson with Brussels Philharmonic, for Deutsche Grammophon.<\/p>\n

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A graduate and prize-winner of the Paris Conservatoire, St\u00e9phane Den\u00e8ve worked closely in his early career with Sir Georg Solti, Georges Pr\u00eatre and Seiji Ozawa.\u00a0He is committed to inspiring the next generation of musicians and listeners, and works regularly with young people in the programmes of the Tanglewood Music Center and New World Symphony.<\/p>\n

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[vc_row css=”.vc_custom_1538679572306{margin-top: 60px !important;margin-bottom: 60px !important;}”][vc_column][vc_column_text] St\u00e9phane Den\u00e8ve is Music Director of the Brussels Philharmonic, Principal Guest Conductor of The Philadelphia Orchestra and Director of the Centre for Future Orchestral Repertoire (CffOR). From 2011-2016, he served as Chief Conductor of Stuttgart Radio Symphony Orchestra (SWR) and from 2005-2012 as Music Director of the Royal Scottish […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-6214","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/opmc.mc\/en\/wp-json\/wp\/v2\/pages\/6214","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/opmc.mc\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/opmc.mc\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/opmc.mc\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/opmc.mc\/en\/wp-json\/wp\/v2\/comments?post=6214"}],"version-history":[{"count":1,"href":"https:\/\/opmc.mc\/en\/wp-json\/wp\/v2\/pages\/6214\/revisions"}],"predecessor-version":[{"id":6215,"href":"https:\/\/opmc.mc\/en\/wp-json\/wp\/v2\/pages\/6214\/revisions\/6215"}],"wp:attachment":[{"href":"https:\/\/opmc.mc\/en\/wp-json\/wp\/v2\/media?parent=6214"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}