{"id":6151,"date":"2025-05-14T18:30:26","date_gmt":"2025-05-14T16:30:26","guid":{"rendered":"https:\/\/opmc.mc\/ludovit-ludha-tenor\/"},"modified":"2025-05-14T18:30:26","modified_gmt":"2025-05-14T16:30:26","slug":"ludovit-ludha-tenor","status":"publish","type":"page","link":"https:\/\/opmc.mc\/en\/ludovit-ludha-tenor\/","title":{"rendered":"Ludovit Ludha, tenor"},"content":{"rendered":"

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Ludovit Ludha graduated at the University of Dramatic Arts – Music Faculty in the class of Professor Vlasta Hudecova. During his university studies he took part in a\u00a0tour of Beethoven\u2019s C\u2013Dur Mass in Italy. Since 1988 he has been soloist of the Slovak National Opera Bratislava. Winner of the Singer\u00b4s Competition of the Czechoslovak Art Universities, he made his opera debut singing in Schonberg\u00b4s Moses und Aron at the Salzburger Festspiele with James Levine.<\/p>\n

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Highlights of his past engagements include such performances as Faust at the Jerusalem Festival, Alfredo in La Traviata in Japan, Rom\u00e9o et Juliette (Rom\u00e9o) and La Boh\u00e9me (Rodolfo) at Prague National Theatre and at the State Theatre Karlsruhe, Iris at the Teatro dell\u00b4Opera di Roma with Nicolai Ghiaurov and at the Wexford Festival, Mefistofele, Don Carlo, Cosi fan tutte and La Sonnambulla in Bratislava, \u0160\u00e1rka (Fibich) at the Wexford Festival and, more recently, Jenufa in Prague and Die Tote Stadt in Kyoto.<\/p>\n

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In addition to his vast operatic repertoire, Ludovit Ludha maintains an active concert schedule with orchestras throughout the world. Here his repertoire includes works such as Mozart\u00b4s Requiem (Ankara, Salzburg, Prague, Athens), Dvorak\u00b4s Stabat Mater (Ankara, Utrecht, Amsterdam, Leeds, Manchester), Carmina Burana (Bologna, Cagliari, Roma), Haydn\u00b4s\u00a0 Nelson Mass (Milan), Bach Cantatas (Torino), Jana\u010dek\u00b4s Glagolitic Mass (Trieste, Ravenna Festival, Udine, Lisboa, Prague, Liverpool, Leipzig, Amsterdam, Berlin, Tai Pei as Taiwanees premiere,), Mozart\u00b4s Kr\u00f6nungsmesse (Salzburg), Le Noces by Stravinski (Berlin with Ashkenazy and recorded for DECCA) as well as Kodaly\u2018s Te Deum, Psalmus Hungaricus, Bartok\u00b4s Cantata Profana (Sao Paolo), Requiem by Verdi and Dvorak, Stabat Mater by Rossini.<\/p>\n

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Since 1999 he performformed the role of Lensky in Evgenij Onegin Bratislava, later in France, King Roger in Montreal and at Carnegie Hall New York, Mozart\u00b4s Requiem in Prague with Neville Marriner, Lady Macbeth of Mcensk in Madrid, whereupon he performed the same role in \u00a0Naples, Munich, Dijon, Teatro Colon Buenos Aires, amongst others under the baton of Mstislav Rostropovich, to Monpellier for Jana\u010dek\u00b4s The Macropulos Case (Vitek), to Bratislava for Haydn\u2018s Seven Last Words, to Paris for Oedipus Rex with Dutoit, to Tai-Pei for Glagolitic Mass, to Budapest to take part with Ligeti in Rachmaninov\u00b4s The Bells, to Manchester and Leeds for Dvorak\u00b4s Requiem and Stabat Mater.<\/p>\n

Since, he returned to Budapest for Oedipus Rex, sang the Glagolitic Mass with MDR Sinfonienorchester with Janowski, Prokina, Tarasova and Kotcherga in Leipzig, Szymanowski Symphony No. 3 in Paris, Jenufa and La Boheme in Prague, Berlioz\u00b4s Te Deum, Beethoven\u00b4s 9th<\/sup> Symphony, Dvorak Requiem, Rigoletto and The coq D\u2019or in Bratislava, Carmina Burana with Daniele Gatti in Bologna and Parma. He obtained acclaimed succeses singing Korngold\u2019s Die Tote Stadt and King Roger with Dutoit in Tokyo, Jana\u010dek\u2019s Amarus at the Teatro Sao Carlos Lisbon, Carmina Burana at the Teatro Lirico di Cagliari and La Sposa Venduta at Teatro Comunale Bolgna.<\/p>\n

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Further highlights include Iolanta at Amsterdam\u2019s Opera, Glagolitic Mass in Berlin with Mo. Gielen, Kata Kabanova (Boris) at the Slovak National Theatre, Prodana Nevesta at Opernhaus Zurich, Jana\u010dek\u00b4s Osud (\u017divn\u00fd) in Tokyo and Chostakovich\u2019s Nose in Nantes, as well as Gounod\u2019s Faust in Sao Paolo, Chostakovich\u2019s Lady Macbeth of Minsk with Kusej at De Nederlandse Opera Amsterdam + Bastille Paris + Teatro Real Madrid, Prince in Rusalka at La Monnaie Bruxelles and Slovenian National Opera Ljubljana, title role Don Carlo in Tampere\/Finnland, Janacek\u2019s From the House of the Dead at Theater Basel, Semtana\u2019s Bartered Bride in Tokyo, Rusalka\u2019s Prince at Op\u00e9ra National de Lorraine-Nancy and Op\u00e9ra National de Montpellier, Boris in Katja Kabanova at Opera de Oviedo, Prince in Rusalka at Festival de Mexico\/Teatro Bellas Artest Mexico Ciy, and Boris in Katja Kabanova at Theater Basel, Zinovy in Lady Macbeth of Mcensk at De Vlaamse Opera Antwerpen-Ghent with Calixto Bieito and Vladimir Jurowski, Janacek\u2019s Eternal Gospel with Dmitry Jurowsky at Tchaikowsky Concert Hall in Moskow, Babinsk\u00fd in Jarom\u00edr Weinberger\u2018s Svanda Dud\u00e1k (Schwanda der Dudelsackpfeifer) at Teatro Massimo Palermo, Verdi Requiem in Moskow, Beethoven\u2019s 9th<\/sup> in Tokyo, Zinovy in Lady Macbeth of Minsk at Op\u00e9ra de Monte-Carlo, Albert Gregor in Vec Makropoulos at Staatsoper Wien.<\/p>\n

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[vc_row css=”.vc_custom_1538679572306{margin-top: 60px !important;margin-bottom: 60px !important;}”][vc_column][vc_column_text] Ludovit Ludha graduated at the University of Dramatic Arts – Music Faculty in the class of Professor Vlasta Hudecova. During his university studies he took part in a\u00a0tour of Beethoven\u2019s C\u2013Dur Mass in Italy. Since 1988 he has been soloist of the Slovak National Opera Bratislava. Winner of the […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-6151","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/opmc.mc\/en\/wp-json\/wp\/v2\/pages\/6151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/opmc.mc\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/opmc.mc\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/opmc.mc\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/opmc.mc\/en\/wp-json\/wp\/v2\/comments?post=6151"}],"version-history":[{"count":1,"href":"https:\/\/opmc.mc\/en\/wp-json\/wp\/v2\/pages\/6151\/revisions"}],"predecessor-version":[{"id":6152,"href":"https:\/\/opmc.mc\/en\/wp-json\/wp\/v2\/pages\/6151\/revisions\/6152"}],"wp:attachment":[{"href":"https:\/\/opmc.mc\/en\/wp-json\/wp\/v2\/media?parent=6151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}